Conveying architectural intentions involves a form of poetic calligraphy, says Ian Ritchie
I love words. They lie at the root of human communication and the shared understanding we call culture. As an architect, I also use words as an investigative tool to discover what I am trying to express. This usually takes the form of poetry. I enjoy removing the superficial – the reductive process. The need to critically examine each word and its relationship to the whole poem allows me to convey meaning, significance and emotional qualities with an economy of means similar to the precision needed in architecture.
Notes begin, texts follow and these become the sources for a poem. But why poetry? Why not an essay? The creative act is always personal so I can only conjecture, although the intuitive connections between architecture and poetry are widely recognised.